Hot and Fresh (Click and Download):
Cu$$ Word Part 1
Cu$$ Word Part 2
Hat and Hot Sauce. An odd duo to say the least. It all began one day in Cuba at a cigar shop. While Hot Sauce was working there to make ends meet, a certain customer complimented him on his Bon Jovi concert t-shirt. The American public now knows this cigar customer as Hat. Born Lavernius Bones, Hat hailed from South Africa and happened to be in Cuba on vacation. While stopping in to get a world famous Cuban cigar, Hat noticed Hot Sauce and his drive for excellence. After making some small talk about music, they both realized they had a passion for Rod Stewart, Hall and Oates, and Skid Row. After getting coffee and chatting more about music, life, and trading mailing addresses, Hat and Hot Sauce parted ways never realizing the importance of such a meeting. Fast forward to 1991. After almost five years of not seeing each other but keeping in touch via snail mail, both Hat and Hot Sauce decided to move to New York City in search of a music career and a record deal together. They began working on their debut EP, Cu$$ Word, in 1993. With a slight complex of perfectionism and a workaholic attitude, Hat and Hot Sauce finished their debut EP after 15 years of work in the studio, even topping Axl Rose’s dedication to Chinese Democracy. With collaborations with the infamous Poncho and Eazy D, Hat and Hot Sauce are set to take the music scene by storm. Dropping on January 19th 2009, Cu$$ Word is filled with #1 singles such as Hot Sauce and Tonsils Bout to Freeze. Hat and Hot Sauce are planning to continue their rise to prominence by hitting the studio in spring of 2009. Look for Hat and Hot Sauce on next week’s episodes of both The Hills and 106 and Park!
Monday, January 19, 2009
Sunday, January 11, 2009
Tonsils Bout To Freeze

We find our heroes deep within a new year, in the throngs of a business in peril. Looking to produce an album that brings the music business out of its stupor, out of the cold and the rain. Can an album sell a record breaking number of copies anymore? I believe we have found an answer. Yes. With an early 2009 release, Hat and Hot Sauce bring us Cu$$ Word, a short EP that is only four songs surrounded by two skits. Despite its short length, Cu$$ Word delivers big time with the two rappers giving a concept so polished, so effortless, and so universal that they can win over any listener. This album is deep within the idea of a revolution, a change, and any other buzz word that encapsulates the American public.
The album's bread and butter comes within Hot Sauce's ability to lay down rhymes that make your head spin. He sprinkles his words of wisdom over Hat's beats like Mrs. Dash on a piping hot steak. His words hold content and substance while maintaining a flow thats unprecedented in modern rap. Combined with Hat's production and guest appearances from Poncho and Eazy D, Hat and Hot Sauce make an album ready for radio, MTV, NPR, and even BET.
Although my review can speak volumes about this album, to hear it is to need it. This being said, the lead single is available for download below. Even though I got a promo copy of the album, the full and final record will be coming out soon and can be found where all music is sold. Look forward it coming out next week.
Key Tracks
(Click to download)
Skit 202
Stars 5 out of 5
Links
Thursday, December 25, 2008
End of the Year Analysis

*This list was so hard because each album on the top ten practically encapsulated my musical ears for some slot of time in the year 2008. I included some EPs even though they are not full length releases. Too many EPs impressed me this year to not let them be on the list.
Top Ten List of 2008
1. The Raconteurs - Consolers of the Lonely
Jack White. Enough said. But I can go on. Recorded in Nashville, this lo-fi rock band took their jamming skills to a whole new level, capturing the raw feel of a real band. Using no computers during the recording process, Jack White and Brendan Benson take their band to a whole new level. It is obvious to see that the band has gotten more comfortable with each other as their CD tends to sound more like a jam than a planned out record. With catchy and quick simple songs and a mix of more intricate songs with horns, keys, and fiddle, The Raconteurs write songs with meaningful lyrics, rockin' instruments and some a little story telling, for flavor. Combine all of these elements and The Raconteurs release the best album of the year.
2. MGMT - Oracular Spectacular
One of the most interesting albums from a major record label artist. I can't say enough about the production vale especially after listening to their first record. The quality jumps tremendously thanks to David Fridmann, who also produced the Flaming Lips. Looking forward to see what else this duo can do in the future.
3. The Killers - Day and Age
With the addition of worldly instruments and a brass section, The Killers come out with an equally different album like as Sam's Town was. While overall it is not their best effort, it is such a beautiful stab at something new, one at which they pull off pretty well.
4. Thrice - The Alchemy Index 3 & 4
This half of a 4 part concept recording stands out just a little more than the previous half. This truly shows off Thrice's song-writing ability as well as their ability to move in completely new directions. With substantial lyrics and exploration of new musical feels, Thrice scores big.
5. Kanye West - 808's and Heartbreaks
Wait.... A truly mainstream rap artist has substance in his lyrics? Impossible, but Kanye did it. And to top it all off, it was super catchy and even though he used Autotune..... he sang the majority of the record instead of rapping it. This album is practically a completely new genre, not just for Kanye but for pop music in general.
6. The Avett Brothers - Second Gleam EP
In their last effort before landing in the hands of Rick Rubin, The Avetts craft up a handful of songs that show off their naked song writing talent and ability to write from meaningful past experiences. Lets hope this type of honesty and production does not change with the addition of major label support.
7. Astronautalis - Pomegranate
This guy puts most mainstream rappers to shame. By implementing folk aspects into this record with a crazy knack for getting great drum sounds, this guy released one of the best kept secret albums of 2008.
8. Apes and Androids - Blood Moon
How have these guys not already blown up? In a random PureVolume search for music, I stumbled across these guys and enjoyed their very fresh sound. It stuck with me for so long, longer than expected, and somehow made the top ten list. Definitively, the most creative record of the year.
9. Little Joy - Little Joy
This cute and short CD is strictly a great indie/folk record. The vibes coming off this album are just so uplifting its hard not to sing along and possibly even dance a bit. I hope these band continues even if Strokes' duties call Fabrizio Moretti away.
10. Kopecky Family Band - Embraces EP
A band that is not even out of college yet. Their dualistic vocals and amazing song-writing allow for the audience to be captivated in their amazing folk rock five song EP. The only question is when do they record more and how do I get a hold of it?
Honorable Mentions
Death Cab for Cutie - Narrow Stairs
Beck - Modern Guilt
Old Crow Medicine Show - Tennessee Pusher
Jack's Mannequin - The Glass Passenger
Panic at the Disco - Pretty. Odd.
Noah and the Whale - Peaceful, the World Lays Me Down
Lil' Wayne - Tha Carter III
Notable (Yet smaller) Artists of 2008
Judd and Maggie
Into It. Over It.
The Morning Of
David Mead
Mugison
Johnny Flynn
Biggest Disappointments
Metallica
Weezer
Guns N' Roses
Coldplay
Ben Folds
Best Books I've Read This Year
One Flew Over the Cuckoo's Nest by Ken Kesey
The Alchemist by Paul Coehlo
Ishmael by Daniel Quinn
The Reason for God by Timothy Keller
Thursday, November 27, 2008
The Mysterious Brandon Flowers
Sampling the critics' reviews from The Killer's sophomore album, Sam's Town, you would think Brandon Flowers was a mysterious lyrical illusionist. And that The Killers best work had already been done in Hot Fuss. In my opinion, both claims would be false, but that is not our subject today. On a rare Monday release, The Killers gave us Day and Age, a new and ridiculous musical collection that gets better every time I listen. Not only does this album field a couple songs waiting to be hit singles, it also can hold its weight all the way through. While one song in the middle drags a hair, other songs such as Spaceman and Neon Tiger clearly make up for the brief drop in pace. Overall, The Killers return to Hot Fuss stylistically, but take their music to new heights. Since their style is usually so over the top anyways, this seems surprising, but with the addition of a few saxophone solos and some world music elements, The Killers make this the most grandiose record of their day.
The lyrics, as always, seem to confuse me a little bit, with Flowers having the same lyrical style as always. While some songs seem to question mankind's existence with a bit of existentialism, others lose me quicker than they begin.
Nonetheless, The Killers are back to their old tricks, adding new ones to their bag. As I sit here watching them play live on Fuse, my faith in their song writing abilities, production, and a knack for the 80's reel me in just as all of their material has and probably will continue to.
Key Tracks
Spaceman
Neon Tiger
This is Your Life
Stars
4 out of 5
Sunday, November 23, 2008
Holiday Cheer
As Thanksgiving quickly approaches, I have many things to be thankful for. This semester, while unimaginably busy, has been quite an exhilarating time for me. My relationships have grown bountifully. My financial situation is better than ever and my studies are going better than expected. About the only aspect of my life that has been going poorly is my sleeping time. There is always a price to pay for your gains in life.
Today, I ventured into a Nashville mall. This is certainly a rarity for me as I don't shop much, don't like large masses of people, and am usually to busy to waste my time at such a destination. I came out of the mall feeling slightly annoyed by the Holiday Spirit that was everywhere. I love the Holidays, they mean a lot to me. They also seem to mean a lot to everyone else, but perhaps for a different reason. Preface this trip with the fact that I am already upset by all types of Christmas decorations and music going on BEFORE Thanksgiving (even some before Halloween wrapped up), and I left the mall one unhappy camper. The mall is heaven for the consumer. And a deathtrap for me. So many people throwing their money at the latest trend. So many people diluting the Charlie Brown sponsored message of Christmas. So many people being selfish and over indulgent for the obtainment of material possessions. I don't enjoy ranting on a topic or bringing people down for their personal characteristics, but I could not escape the greed and self desire that almost suffocated me today. Certainly, I have so many things I could do without, and I recognize my fortune, but I just wish some others would try to show a little restraint in their lifestyles.
Look forward to a review of either the Kanye or The Killers CD's that hit shelves tomorrow.
Links
Tuesday, August 19, 2008
Waiting for Septembeard!
Wednesday, July 23, 2008
"Like a rolling thunder tent revival revue, the Avetts are a force of nature...get down and shout glory hallelujah"
With one last release before they join the major label game, the Avett Brothers lay upon us a simple, six song EP. While having little of the production or flair of 2007's Emotionalism, the Second Gleam offers a taste of what the Avett Brothers really are: two guys from the same family who have a knack for writing poignant yet simple songs that stick with you for longer than you'd expect. The song writing efforts on this EP are extremely well done. Only employing guitars, a banjo, and sometimes a piano, this is Avett stripped to the bare bone. Bassist Bob Crawford does not even appear on the release and most songs find a slow rolling groove, similar to a calm river. With the songwriting focused on telling stories, whether it be a lover, a car, or family dynamics, the Avett Brothers shed light mainly on their thoughts; nothing more and nothing less.
The sonic quality is naturally less of what I would like it to be. It's easy to tell this was not their goal in recording this EP. The vocals are a little mushy, even naturally and beautifully out of tune (a rare find in the days of Autotune). Often, I find that the guitars sound more polished than the vocals and it would be very interesting to know more about the studio techniques that led them to this overall sound.
Overall, Avett strikes again, in a way much differently than anticipated, but nevertheless again. With a major record deal and Rick Rubin by their side, big things will be expected from Avett on their next full length release, which they are currently working on. For now though, we have this simple and relaxing reminder of Avett's potential with so little. With Emotionalism being an example of what Avett is capable of doing with full production and more ornamentation, the Second Gleam offers us a taste and a reminder that at the core, Avett's songs are written soundly, melodically, and simply. And I can't think of a better way for them to be written.
Key Tracks
Tear Down the House
If I Get Murdered in the City
Rating 4 out of 5 stars
Links
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